Come get Miss Saigon tickets and see the romantic and beautiful tale based upon the opera Madame Butterfly. This ethnic filled production was originally released onto Broadway Theatre in 1991.

It was so successful and received enough praise to last 4,092 performances before it closed in January of 2001. The composer and creator, Claude-Michel Schoenberg, got the idea for this lovely story for a photo that he discovered in a magazine article.

The photo of a child and mother being separated at a Vietnam gate just so the child could have a better life in America was what Claude considered the Ultimate Sacrifice.

Times:

Tues-Sat @ 7.30pm

Sat, Sun, Wed @ 2pm

August 19th @ 2pm

Please present voucher to theatre box office at least 30 min prior to show time.

This choreography has developed out of a ten-week course in contemporary dance technique and creative movement. The starting point for this course was a metronome (a device to mark time) and the concept of time. Movement material has been manipulated in response to time, and time has played a part in creating the choreography. This unique work has been choreographed by Ruth Tyson-Jones and the participants.

Presented by Ad Hoc Dance.

King Tut returns to New York City after more than 30 years! Opens 23rd April 2010.

Behold the legendary treasures of King Tut. For the first time in a generation, revel in the splendor of the ancient Egyptian world as you view a dazzling array of possessions unearthed from his tomb, along with antiquities representing his family and contemporaries.

Through 10 galleries and 130 artifacts, New York City will experience the world of the pharaohs like never before?

* See the boy kings golden canopic coffinette and the crown found on his head when the tomb was discovered.

* Learn about the extraordinary discovery of Tuts tomb and the beliefs and funerary processes of ancient Egypt.

* View results from the latest scientific testing conducted on King Tuts mummy, and what it is telling researchers about his life and death.

Times:

Sun-Thurs: 10am-7pm

Fri-Sat: 10am-8pm

Child: 4-12 yrs

Senior: 65+

Please exchange voucher at the box office.

Beethoven/Stravinsky

The French and the Russians have always had a soft spot for each other – in music at least!

These are the composers who give us orchestral colour, sweeping melodies and vibrant exoticism, the composers who temper Germanic convention with brilliance and fantasy. Which all makes for a perfect match when we bring a Russian conductor and a French soloist together to perform vividly imagined music with an Oriental cast.

Let your imagination loose on the tender Adagio and thrilling dances that accompany Spartacus’s uprising. Surrender to the spinning violin solos and rich orchestral palette of Scheherazade’s nightly tales – a spirited heroine in an exotic world. And discover the charming panoramas of Saint-Saëns’ most evocative concerto, with its thudding steamship propellers and croaking frogs on the Nile.

KHACHATURIAN Spartacus: Suite
SAINT-SAËNS Piano Concerto No.5 (Egyptian)
RIMSKY-KORSAKOV Scheherazade

Alexander Lazarev conductor
Jean-Yves Thibaudet piano

When it comes to heartfelt emotion, no one can match the genius Tchaikovsky. Join us for his soaring violin concerto and music from the Sleeping Beauty ballet.

here should be every reason to think of Tchaikovsky as out of touch – he was an aloof personality, full of insecurities – and yet his music cuts to the core with the irresistible impulse of honest emotion.

You can’t help but feel his astonishing gift for melody and great dramatic instincts. In this concert we celebrate his genius with the soaring themes and infectious virtuosity of the Violin Concerto and music from his ballet masterpiece, Sleeping Beauty.

Following the 2008 Elgar festival, Vladimir Ashkenazy has invited Canadian James Ehnes, “a tremendous violinist”, to return to play another great Romantic concerto.

SIBELIUS Finlandia
TCHAIKOVSKY Violin Concerto
TCHAIKOVSKY Sleeping Beauty: Suite

Vladimir Ashkenazy conductor
James Ehnes violin

TEA & SYMPHONY - 10 DECEMBER
Short program: Violin Concerto and Sleeping Beauty Suite.

Discover the genius of Bernstein on stage and in the concert hall with music from Candide and West Side Story, and his Age of Anxiety symphony.

For most of us, Leonard Bernstein’s genius lives on the stage – in the dazzling optimism of his music for Candide and the urban cool of West Side Story. But there’s another side to Lenny: the “serious” composer who wanted to write the Great American Symphony. So how did he go? The Age of Anxiety gives a clue: it’s called a symphony but it looks like a piano concerto and its narrative structure is set by Auden’s poem.

This is a symphony that encompasses a quest for identity and the glitter of the jazz age. Lenny was no ordinary musician, and in this concert David Robertson gives us the best of all possible Bernstein.

BERNSTEIN
Candide: Overture and Suite
The Age of Anxiety (Symphony No.2)
West Side Story: Suite for voices and orchestra

David Robertson conductor
Orli Shaham piano
and a cast of singers

The greatest composers are always on the brink of something new. Join us for Haydn, Schoenberg, Beethoven and Max Bruch’s enchanting first violin concerto.

Here’s what you need to know…

Haydn: a witty composer with a deft touch for workplace politics; his Farewell Symphony cleverly ends up with just two musicians on the stage and won his orchestra the change of scene they were hankering after.

Bruch: a dreamer who heard the soul of music in melody; from its opening flourishes to its bravura gypsy finale, his much-loved First Violin Concerto sums up everything that is rich and enchanting about the Romantic style.

Schoenberg: rewrote the rulebook but believed only in inspiration; his symphony is “little but vast”, concentrated, forward-looking and daring.

Beethoven: ditto.

The greatest composers are always on the brink of something new and fresh. Hear it for yourself in a boldly imagined program that doesn’t stand still.

HAYDN Symphony No.45 (Farewell)
BRUCH Violin Concerto No.1
SCHOENBERG Chamber Symphony No.1
BEETHOVEN Symphony No.8

Oleg Caetani conductor
Daniel Hope violin

Celestial vision and heavenly inspiration in a concert that begins with Beethoven and ends with Sibelius’s magnificent Fifth Symphony.

In space, if you listen, you can hear the stars sing. Georges Lentz, with his profound musical vision and love of the night sky, brings that sound into the concert hall – pure and serene.
We premiered Guyuhmgan in 2001, and for its return Lentz has added solos for two of our woodwind principals. The music’s soft tones find affinity in the delicate austerity of Stravinsky’s Symphonies of Wind Instruments, and Beethoven’s heroic tone-poem in miniature balances Sibelius’s most memorable symphony.

Sibelius also claimed heavenly inspiration. Writing his Fifth Symphony, he said it was if God had thrown down mosaic pieces from heaven and asked him to put them back as they were – for Sibelius composing was like a celestial jigsaw puzzle, an aching mystery that even he didn’t fully understand. We may not understand the process either, but we recognise the result – invigorating and life-affirming.

BEETHOVEN Leonore Overture No.3
LENTZ Guyuhmgan
STRAVINSKY Symphonies of Wind Instruments
SIBELIUS Symphony No.5

Matthew Coorey conductor
Diana Doherty oboe
Alexandre Oguey cor anglais

TEA & SYMPHONY - 14 MAY
Short program: Beethoven, Lentz and Sibelius.

When Roy Goodman arrives in Sydney he’ll bring a 30-year reputation as a violinist and director specialising in baroque music, and that reputation has shaped the program he’s put together for us. Two magnificent baroque suites provide the frame and a baroque-inspired concerto from English composer Michael Tippett brings it up to date.

You’re allowed to ask where Edouard Lalo’s Cello Concerto fits into the scheme of things and we could jump through hoops explaining it: a French Romantic bridge between Bach’s French-style suite and a 20th-century concerto perhaps?

The truth is, this is heart-warming and lyrical music, and if you heard the rich intensity of Jian Wang’s Elgar concerto in 2008, this will be another chance to hear him play to his strengths. But in the end, Handel upstages everybody with his spectacular Music for the Royal Fireworks.

BACH Orchestral Suite No.4 in D
LALO Cello Concerto
TIPPETT Concerto for double string orchestra
HANDEL Music for the Royal Fireworks

Roy Goodman conductor
Jian Wang cello